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The Horticulturist

When you know you shouldn't stay, but, inexplicably, you do anyway

Rachelle AllenApril 23, 202635 views
The Horticulturist

This is a wicked tribute to this week's Poetry Challenge, created by my CW partner-in-crime, the beautiful Heather Wickham, about staying even when you know the situation isn't right. Because mine didn't comply with the "Tanka" form that this week's Challenge requires, (so enthusiastic was I to write something, I seemed to have missed the basics...Duh...) but I decided to post it, nonetheless. You still have to love me anyway.

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I never should have let him walk

Life’s garden path with me.

I’d have far less remorse, I know,

And tortured reverie

 

His outer flow’r was vibrant, full!

Whoever would have known?

That planted deep within those roots

A viciousness he’d sown.

 

Subtle-y, at first, it rose

“Is that the best from you?”

But then the poisoned cankers formed:

“You worthless little shrew.”

 

And so it went, day after day,

A desolate existence,

Festering in fetid soil,

A dry-rot of persistence.

 

I thought of ways to nip that bud

And wondered what I’d need

To end more germinations

Of that infected seed.

 

I wanted something subtle-

Yet-effective for the trick.

Research proved invaluable.

Results from it came quick.

 

It looked like an azalea plant*

Had left his brain stem numb,

But we both knew that it was me.

Three cheers for my green thumb!

 

It’s easier to love him now.

My heart again feels full.

I bring him food and water,

My private veg’table.

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*it turns out that azalea plants ingested in large quantities can cause brain paralysis and cardiac arrhythmia! 

Reviews (4)

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Berniethebard

4/23/2026

The Words That Got to Me

Well let's just say that wicked does not really do justice to the tale you recount here. It is a wee bit understated. Mind you it could be said that he had it coming, given his despicable behaviour in verses three and four. I love "dry rot of persistence" as a phrase. And I like the poetic justice of subtle being returned to as the way to describe the deed's modus operandi. And what a wickedly apt closing verse.

Hahaha!! I love this review, Bernie!! Thank you for appreciating that even a quiet woman can be despicable when pushed beyond her limit!! xoxo

K
Katharine

4/23/2026

The Words That Got to Me

"his outward flow'r was vibrant full" - very poetic! "My private veg'table." ditto, and neat. Think of the people who are chuckling over that.

Suggestions / Possible Tweaks

nope. got your point. :)

breaking your own house rules - tsk tsk. But I feel sure everybody does love you anyway. I enjoyed this poem of sweet revenge. And you taught me something. I grew up in Georgia where we had a plethora (heh) of azaleas all over town, plus in our yard and I never had a clue what eating them would do. 'Course, I never heard of anyone eating them, so how were we to know of the potential "gotcha" we had, aplenty?

edited 4/23/2026

And in the South, no less, where the women would feed it to their horrible, deserving spouse with a honeyed smile and a, "Why, bless your heart!" Thanks for the fun review here, Katharine! xoxox

The Words That Got to Me

'I never should have let him walk Life’s garden path with me.' I enjoyed the way this phrase set up the whole premise of the poem's theme and let us know that the narrator had experienced some kind of difficulty. 'Festering in fetid soil, A dry-rot of persistence.' I loved the alliteration in festering and fetid - it really did sound quite furious!

What a wonderfully wicked and hilarious poem. I loved all the references to gardening peppered through. I've learnt something new about azaleas today, and will be giving them a wide berth!

Hahahaha. You slay me. Thanks for the fun review. xoxo

The Words That Got to Me

This one is wicked in the best way. I loved how the garden metaphor carried the whole poem from beginning to end. It starts almost regretful, then slowly turns darker until that final reveal lands with a grin and a chill. “Festering in fetid soil” and “dry-rot of persistence” were especially strong. They gave the poem that rotten-under-the-surface feeling without over-explaining it. The ending was my favorite part. “Three cheers for my green thumb!” has such a sharp little twist to it, and then “My private veg’table” closes it with exactly the right dark humor. This was clever, controlled, and deliciously twisted.

What works here is the restraint paired with the darkness. You didn’t make it loud. You didn’t over-explain the shift. You just let it unfold—and that makes the ending feel colder, more deliberate. There’s also a quiet satisfaction in the voice by the end that contrasts sharply with the earlier suffering. That emotional flip is subtle, but it’s what gives the poem its edge. It’s controlled, a little eerie, and definitely memorable.

You really do write the most specific and helpful reviews, Heather. Thank you for this gem. I couldn't appreciate it more. xoxo