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Poetry

Twilight Reverie

Heather WickhamMarch 31, 202626 views
Twilight Reverie
In the corner of the room, the shadows sway.
Fingers trace dreams that drift away.
A glance is shared, so quick, so deep.
A silent vow the night will keep.
 
The world retreats beyond the door.
Yet here we are, needing nothing more.
Your breath, a rhythm soft and slow.
Your soul plays a song only mine can know.
 
Memories flicker like stars on high.
The world was perfect, just you and I.
Laughter and sorrow, hand in hand,
Woven through time like grains of sand.
 
Hold me now. Don’t speak. Just stay.
Let silence chase the noise away.
Let’s pretend we don’t have bruises.
Be the us before excuses.
 
So here we are, just you and me.
A moment wrapped in reverie.
No need for more, no grander flight.
Just love, alive, in soft twilight.

Reviews (4)

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Berniethebard

3/31/2026

The Words That Got to Me

I guess I know from personal experience that as poets we are able to put ourselves into scenarios which are not ours, which we do not personally inhabit. But, having said that, I also know that writing poetry is deeply personal and there is always something of the writer in everything they write. Where those poems are about love, as this one is, then I would say, again from personal experience, that most, if not all, is the poet speaking. Your words capture a moment that was memorable, but has been made even more so by these words. Fingers tracing is such a sensual image and I like how you bring in the soul and its implied connection. There is one couplet though that cuts through the veil of almost perfection and hints at something darker. "Let's pretend we don't have bruises Be the us before excuses." I almost feel, and this is just me wanting to preserve the beauty of the moment your words have captured, that I would rather that couplet not be in this poem. I know it might be crucial to your meaning, that love has overcome these problems, but then why use pretend? Sorry Heather. Maybe I'm being too precious.

Thank you, Bernie. I really appreciate how thoughtfully you read this. Your words meant a great deal to me, especially because you saw the tenderness in the poem and also noticed the place where it darkens. I completely understand why someone might wish that couplet did not exist. In many ways, that is what we want love to be, something unmarked, untouched, free of all the things that bruise it. But for me, the reality of this love lives inside that couplet. The beauty of the moment is real, but so is the history beneath it. I could not separate the two without losing something honest. So while I truly understand your reaction, that shift in tone was intentional. Thank you again for reading it with such care and for sharing your thoughts so openly. That kind of response always means a lot.

Tim Margetts

4/3/2026

The Words That Got to Me

“In the corner of the room, the shadows sway.” This is a very strong opening line, it creates a personal space, atmosphere and movement in 9 simple words. “Fingers trace dreams that drift away.” Such a deliciously delicate line. Hold me now. Don’t speak. Just stay. Let silence chase the noise away. Let’s pretend we don’t have bruises. Be the us before excuses. This is the emotional core and introduces so much, bruises, and excuses gives us history and damage. Regret and change. So good.

Suggestions / Possible Tweaks

Some lines use imagery that is common within poetry, while not bad, you need to be careful of drifting into cliché. “Memories flicker like stars” “Woven through time like grains of sand” “just you and me” “Your soul plays a song” Whereas lines like “The world retreats beyond the door.” “Let silence chase the noise away.” “Be the us before excuses.” stand out as much more personal and are strong because of this direct emotional approach.

You have written a good emotional poem that creates a great atmosphere of intimacy and gentle reflection. You bring in not just the present moment but link it to the history that created it.

The Words That Got to Me

Hold me now. Don’t speak. Just stay. Let silence chase the noise away. Let’s pretend we don’t have bruises. Be the us before excuses. *Beautiful times a hundred million zillion.

Suggestions / Possible Tweaks

In the corner of the room, the shadows sway. *This almost feels "too" descriptive. I'm thinking: In our room, the shadows sway That way, it keeps the flow of the sensuous rhythm you've brought to the rest of that stanza (and also the entire poem. It exudes 'very sexy,' which is, of course, the point since it then it harmonizes perfectly with the words!! The world retreats beyond the door. Yet here we are, needing nothing more. Your breath, a rhythm soft and slow. Your soul plays a song only mine can know. I love the gist of this stanza, but I feel like it needs a slight paring down because in order to make the words fit the rhythm you've set, I have to speed some of them up. My internal metronome wishes that weren't the case.

Very sexy and sultry, romantic and intimate but in such a tender, need-for-healing way. This was a really well done piece. xoxo

The Words That Got to Me

'Laughter and sorrow, hand in hand, Woven through time like grains of sand.' 'Let silence chase the noise away. Let’s pretend we don’t have bruises. Be the us before excuses.' These lines showed a very real relationship, suggesting all its history, the light moments and the dark, enwrapped within feelings of intense connection and love.

Suggestions / Possible Tweaks

'Yet here we are, needing nothing more' might scan better as 'Yet here we need nothing more'.

I enjoyed the quiet intimacy of this poem and how it described a relationship and a history between two lovers.