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Creative Non-Fiction

First Familial Church of the Everlasting Arms

When memories turn to magic

MichaelaApril 8, 202623 views
First Familial Church of the Everlasting Arms

The following piece is creative non-fiction where a church bulletin’s call to worship is intertwined with a precious memory. 


First Familial Church of the Everlasting Arms


Sunday Morning Order of Worship

April 21, 1974


Call to Worship

“The Warblers are in full chorus this morning. Can you hear them singing in the trees?” she asks as the teeth of her comb furrow rows in my brown, thick hair in a slow, calming rhythm.


Contemplation and Confession

“Yes, ma’am. So pretty,” I reply. 

“Just like you. There. No more rat’s nests,” she sighs as she lays the comb on the arm of the couch. 

My Granny calls tangles “rat’s nests.” I love her granny speak. 

The aroma of Irish Spring and Aqua Net engulfs me as I curl in next to her on the coarse, woolen couch, always damp from the Texas farmhouse humidity caused by fans and window breezes. But there is nothing rough about my granny. Her skin is soft as a baby's downy and paper-thin, yet unscathed by the years of hard farm labor. 


Affirmation of Faith

She clasps my hands in her warm ones and says, “Thirty more minutes until we leave for church.”


Invocation

She turns up the television preacher as we settle in for a long, warm snuggle. The sweet smell of her talcum powder nuzzles me deeper into her side. 


Liturgy of the Word

Ignoring the preacher droning on and on, I bask in the rich mustard-colored polyester of her Sunday Go To Meetin’ dress. The jewels of her family ring catch the light pouring over us from the window and I watch their prisms skip along the paneled wall. 


Eucharist

The clunking, rusty fan oscillates to the rhythm of a ticking clock, lulling me to a blissful drowsiness, and her Sunday morning ritual begins.

Her knotted hands faff at imaginary dust on her dress, then pull at non-existent wrinkles. 

“Hm-Hm-Uhhum” (Her habitual throat-clearing melody rings throughout the room.) I hug her side, whiffing sunshine and grass that wafts from laundry that dries on lines in the country air. I shut my eyes tight, pouring out thank you's to Jesus for letting this woman be my granny.


Seal of Communion

Purse in lap, popping the clutch open, she reaches in and pulls out her roll of orange-spotted Certs– never mint: always orange. She carefully peels a layer of the wrapping, revealing the next sweet tablet, and pops it into her mouth. 

Pure delight paints a sweet smile on her lips as she hands me the roll. I mimic her movements, tearing, revealing, and popping a pellet into my mouth, hating the acerbic taste but loving this simple bond with this woman I adore.

The lilt and warble of the sucking noises her mouth makes while enjoying a Cert sends pleasant chills washing over me in a baptism of comfort and warmth.

“Snap,” the clutch closes, then “Hm-Hm-Uhhum,” as she places her purse beside her.


Song of Response

End of the ritual, she sets her worn bible in her lap, strokes her hands across the leather cover, and sits in silence, making a meal out of her cert. I have already bitten and crunched mine into oblivion. 

Granny hums a soft hymn (always a hymn), unconsciously moving to pat my knee with her warm, velvety hand. She rests one hand on my leg and the other on her bible as the moments slowly sail by in the cool breeze of the fan. Today, she hums…

What a fellowship, what a joy divine,

Leaning on the everlasting arms;

What a blessedness, what a peace is mine,

Leaning on the everlasting arms.


Benediction

Cicadas reign in the Mimosa trees outside the window behind us, and I sit as a small child in the stillness, content, making a meal of this moment.


Reviews (2)

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Tim Margetts

4/8/2026

The Words That Got to Me

“the teeth of her comb furrow rows in my brown, thick hair in a slow, calming rhythm.” What an excellent descriptive passage. Its very rhythm mirrors the action you are describing. “The aroma of Irish Spring and Aqua Net engulfs me…” The sense of smell is one of the biggest triggering factors in memory, and you consistently use it so effectively. “hating the acerbic taste but loving this simple bond.” I love this sharp, honest contrast.

Suggestions / Possible Tweaks

The biggest problem with this piece is that it doesn't trust itself. You are often overwriting or explaining things that are already working. “She is a living dictionary of phrases from the past.” Here you are telling us something you already showed beautifully with the “My Granny calls tangles ‘rat’s nests.’” “These moments of stillness with my granny are gifts.” “These moments of celebration of faith forever bring seasons of strength and blessing…” “My heart opens to the delicate blessing of my Granny…” Every time you explain rather than show, you are weakening a powerful piece of writing. Trust yourself and the power you demonstrate to show us the emotion and events involved. Sometimes you drift a bit into more of a church language. Understandable given the context, but I feel it distracts. “forever bring seasons of strength and blessing for Granny and for all against the trials that may come” “devoting to and loving Him anew each and every Sunday” seem to take us out of the voice and memories of a child and move us up into the pulpit of a sermon. The personal becomes impersonal.

This is a good piece of writing that, in places, moves beyond that into the excellent. When it is at its best, we are in the memories of the child. It feels intimate and authentic. We live those memories, we hear and see and smell those moments. When it slips into more generic over-explanation and sentiment, it loses that impact. You have such a great core. It is strong and deserves to be read. But it needs some tightening and, above all, courage. Trust in yourself and trust the voice of that child's memories.

Michaela

4/8/2026

Thank you again for your suggestions and one of my main problems as a writer is always over-explanation. Ugh. I will work on that in this piece because it is important to me and a favorite of mine and I would like to get it right.

Michaela

4/8/2026

I just worked on it and edited it according to your suggestions. I really love it now. I hope it is much better with out the explanations. Thank you again.

Tim Margetts

4/9/2026

You have done a great job, Michaela. You have used a lot more restraint, and it shows. The opening section works so well, and “I love her granny speak.” This is a big improvement from “living dictionary…” With it, you capture the voice of the child. You have replaced explanation with description beautifully: “The sweet smell of her talcum powder nuzzles me deeper into her side.” “the jewels of her family ring catch the light…” It's not yet perfect but it is so much better, there are areas where you still slip back into bad habits—“Her excitement is palpable. Going to church is the highlight of her week.” This is still explanation. And it’s generic. You don’t need it — the ritual already shows this. and you still have some cliche slipping in, especially in the skin description, “soft as silk and paper-thin, unscathed by the years of hard farm labor” where you have cliche (soft as silk) followed by a contradiction (paper thin, by its nature cannot be unscathed, especially when combined with a life of hard work.) You ideally need to rethink this line. Before, the piece was being smothered by explanation. Now, it’s starting to trust its own moments—and when it does, it’s genuinely strong. You have turned it into a strong sensory rich and intimate memory, which still occasionally slips back into telling me what to feel. Nicely done.

The Words That Got to Me

I really loved the way you framed this piece through the order of worship. That felt so fitting for the memory itself, because it gave it this quiet, reverent rhythm without losing the intimacy of it. What pulled me in most were the sensory details. The Irish Spring and Aqua Net, the damp wool couch, the Certs, the hum of the fan... all of it made the memory feel alive in such a specific and tender way. It did not feel like I was being told about a memory. It felt like I was sitting in it with you. The line about hating the acerbic taste but loving the simple bond really stayed with me. That felt so honest and so true to childhood. Sometimes love lives in the smallest rituals, and you captured that beautifully.

What I appreciated most about this piece was the warmth in it. You can feel how deeply your granny is loved, not through big declarations, but through all the little details that made her who she was. This felt like such a tender tribute, and I think that is what made it land. It stayed grounded in the moment and trusted those details to carry the weight, and they absolutely did. It left me with that soft kind of ache that the best memory pieces do.