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ASHTRAY

This was an incident I saw as a 12-year-old.

Sandy JeanApril 6, 202646 views
ASHTRAY

A cigarette dangled from his lips
as he entered the room.
His brooding scowl
scared her into immediate silence.
She knew tip-toeing carefully
around his mood
was the least perilous path.
Must try avoiding the virulent violence
hovering on the horizon.
Anything,
any minuscule misstep
would be a mistake.
She stared at her feet.
Quietly waiting.
He slapped her.
She smacked the floor,
and he straddled her prone body,
smirked and ground his cigarette
into her swelling cheek.
Her scream softened
into a whimper.
She wiped away the blistering ash.


Sandra Nelms-Ludwig

 

Reviews (5)

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The Words That Got to Me

A powerful and deeply affecting poem. Your characterisation of the man worked well- brooding scowl; straddled her prone body; smirked. The alliteration worked well: ‘perilous path’, ‘virulent violence’ and ‘minuscule misstep’ in particular.

Suggestions / Possible Tweaks

‘He slapped her with meeting the floor force’ didn’t quite make sense to me. Perhaps ‘He slapped her and she met the floor with full force’ would work better?

What a dreadful scene to witness, let alone as a vulnerable 12 year old. You brought out the horror and cruelty of the scene well here. Sadly, such misogynistic cruelty is still heard of every day.

Sandy Jean

4/7/2026

Thanks for reading my poem and for the feedback. I wanted the poem to have short lines, so I may put single quotation marks around that phrase.

Tim Margetts

4/6/2026

The Words That Got to Me

“tip-toeing carefully / around his mood” “the virulent violence / hovering on the horizon” “Anything, / any minuscule misstep / would be a mistake.” These lines capture the reality and psychology of living with an abusive person. They effectively convey the constant anticipation and fear of the next event. In themselves, they are even more effective than a description of the violence itself.

Suggestions / Possible Tweaks

The main thing I came away with was in places the language flickered between the childlike images of a 12-year-old and the more abstract, formal language of an adult—virulent violence, least perilous path, minuscule misstep. The poem may be stronger if you stuck to the simpler language implicit in the memories of a 12-year-old child. Also, this line likely needs correcting: “He slapped her with meeting the floor force.” This reads like a grammatical error. It might be intended to mean: “He slapped her with enough force to meet the floor” or “He slapped her and she hit the floor” At the moment, it interrupts the flow because the reader has to stop and work out what it means. Finally, especially in free form poetry, line length sets the pace. By shortening lines you increase the impact and urgency so perhaps a slight change in structure during the attack could be something like. He slapped her. She hit the floor. He straddled her prone body, smirked, and ground his cigarette into her swelling cheek.

This is an emotionally very strong piece, and it gave me chills reading it. It carries the weight of a life that will carry scars long after the abuse has passed into history. You describe in a few short lines a life no one would ever want to experience.

Sandy Jean

4/7/2026

Tim, thanks for reading my poem. You gave me some great suggestions. Thanks

The Words That Got to Me

meeting the floor force. *So much conveyed in just four short words. Her scream softened into a whimper. *This one just gutted me

Annnnnd THIS is exactly what I've been missing. Brutal honesty with every word. No aspersions cast - just the blistering eye-witness account that makes your readers make the assessments. I've always told you that it's your unflinching honesty that makes your poetry stand out. Gawd, it is so good to have your work in my life again!!!! Welcome home. xoxo

Sandy Jean

4/7/2026

Thanks Rache, you are always my best cheerleader.

I am proud to be your #1 fan!!! Xoxoxo

The Words That Got to Me

The opening immediately pulled me in. “A cigarette dangled from his lips as he entered the room.” Right away you can feel the tension in the space before anything even happens. I also thought this moment was incredibly powerful: “She knew tip-toeing carefully around his mood was the least perilous path.” That line hit me hard because it captures something very real. Anyone who has ever had to read the emotional weather in a room will understand that instinct immediately. The final image is also incredibly strong and difficult to shake: “smirked and ground his cigarette into her swelling cheek.” It’s written with restraint, but that restraint actually makes the moment land even harder.

Suggestions / Possible Tweaks

One place where I stumbled slightly while reading was: “He slapped her with meeting the floor force.” I understand the impact you’re going for here, but the phrasing felt a little tangled compared to the otherwise very sharp and clear imagery in the poem. You might consider something that keeps the same abrupt rhythm while clarifying the moment slightly, such as: “He slapped her and she met the floor hard.” or “He slapped her and she struck the floor.” Just possibilities of course. The moment itself is very powerful, so even a small shift in phrasing could let that impact land even more clearly for the reader. You don’t have to take my suggestions either, your poem hits in all the right places regaurdless.

What really stayed with me after reading this was the quiet dread running underneath the entire poem. It doesn't rush or over-explain anything. Instead it slowly builds tension through the small details of the moment. The way you show her carefully navigating his mood before the violence arrives feels painfully real, and that realism is what gives the poem its power. This is not an easy subject to write about, but you approached it with restraint and honesty. Thank you for sharing something this raw.

edited 4/16/2026
H
Harper

9/2/2026

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